Post by wikkleshamrocks on Apr 15, 2012 17:47:28 GMT -5
Awww Razz *hugs* I wish you could get to London! That timing of work sux and I would have give you my spare ticket in Galway!
Well I was there with our lovely Leyla last night and we had a blast! To see Misterman on my doorstep is a dream come true and we met some lovely folk there, one lady who had flown all the way from Japan on her own to UK for 3 days to see Cillian in Misterman too! Leyla and I walked her back to her hotel that night after the show.
We did the theatre tour thing and got to see the set just before the dress rehearsal at 2pm... the production crew were working frantically on the set fixing stuff up and sound checking. It was funny because the dog barking, growling and screwed up tape noises started while the tour guide was doing her sweet woffle. The other folk with us were like " WTF is that?!!" Leyla & I were the only ones in that group going to see Misterman but the look of intrigue and puzzlement on the faces of the others was amusing. ;D
There are a few changes to Misterman, only subtle ones but they do improve the performance. Cillians positioning on stage (particularly the grave visit scene) Cillian seemed to have more props to chuck around this time and the immense length of upstage direction saw Cillian pounding off to measurable visual shrinkage... this added to the comedy of the play, no wonder the man is exhausted after the performance!
Charlie who is one of the characters Cillian morphs into has to be my favourite even though all the characters are brilliant. Charlie is the vain macho man of the town who does this funny dance to a ploppy 80's ballad and praises Thomas' late father's grocery store where the word 'bananas' becomes a key point of the dialogue!
I am trying to give some snippets here without inducing spoilers!
There were added lighting effects too and Cillian is in great physical form, looking really well!
I had to laugh at the little cloth on a length of elastic attached to a pillar... it's used several times to help clean Cillian up after his chemical and physical shenanigans but when he lets it go it boings off at an angle. LOL
Even from a further distance his little blue twinklers are still beaming over and the sheer power of his voice and physical presence is phenomenal!
I was puzzled with the UK audience though, there was the stunned into several seconds of silence as in Galway but the way the applause broke out was slow to catch at first then only a fraction of the people stood on applause! In Galway they all flew off their seats and raised the roof! I don't know if it was just me but the Irish audience was far more electrifying than the UK audience. The audience are paramount to a performer, they are the most important thing and performers are highly sensitive to the reception. I wonder how Cillian felt the chemistry? It wasn't bad.... but it was odd and surprised me! Still, I'm glad we had a partial standing ovation for our man! ;D
I'm going to pop to Enda Walsh platform on 19th if I can too. I'll woffle on about that if I can go.
Leyla I'm so glad you asked me to spare you the company in London, I had a magical time with you! I'm glad you like sushi too and I loved all your stories! Thank you for letting me drag you all the way up the Bakerloo Line so I could have my pint of organic beer! LMAO I hope that one day we will meet again I really do! Another lovely friendship formed by Misterman again! Plus it brought me back to this forum! There's something quite magical about this play I tell thee! ;D
Just a word of caution again about the linguistics... loudly back pedaling on my earlier posts, having heard Misterman again after 9 months, I do think that it's best to read the book if your native language isn't English or used to Celtic dialects. Maybe just read before the ending so as not to spoil it???
If anyone has any questions about the play please ask.
Well I was there with our lovely Leyla last night and we had a blast! To see Misterman on my doorstep is a dream come true and we met some lovely folk there, one lady who had flown all the way from Japan on her own to UK for 3 days to see Cillian in Misterman too! Leyla and I walked her back to her hotel that night after the show.
We did the theatre tour thing and got to see the set just before the dress rehearsal at 2pm... the production crew were working frantically on the set fixing stuff up and sound checking. It was funny because the dog barking, growling and screwed up tape noises started while the tour guide was doing her sweet woffle. The other folk with us were like " WTF is that?!!" Leyla & I were the only ones in that group going to see Misterman but the look of intrigue and puzzlement on the faces of the others was amusing. ;D
There are a few changes to Misterman, only subtle ones but they do improve the performance. Cillians positioning on stage (particularly the grave visit scene) Cillian seemed to have more props to chuck around this time and the immense length of upstage direction saw Cillian pounding off to measurable visual shrinkage... this added to the comedy of the play, no wonder the man is exhausted after the performance!
Charlie who is one of the characters Cillian morphs into has to be my favourite even though all the characters are brilliant. Charlie is the vain macho man of the town who does this funny dance to a ploppy 80's ballad and praises Thomas' late father's grocery store where the word 'bananas' becomes a key point of the dialogue!
I am trying to give some snippets here without inducing spoilers!
There were added lighting effects too and Cillian is in great physical form, looking really well!
I had to laugh at the little cloth on a length of elastic attached to a pillar... it's used several times to help clean Cillian up after his chemical and physical shenanigans but when he lets it go it boings off at an angle. LOL
Even from a further distance his little blue twinklers are still beaming over and the sheer power of his voice and physical presence is phenomenal!
I was puzzled with the UK audience though, there was the stunned into several seconds of silence as in Galway but the way the applause broke out was slow to catch at first then only a fraction of the people stood on applause! In Galway they all flew off their seats and raised the roof! I don't know if it was just me but the Irish audience was far more electrifying than the UK audience. The audience are paramount to a performer, they are the most important thing and performers are highly sensitive to the reception. I wonder how Cillian felt the chemistry? It wasn't bad.... but it was odd and surprised me! Still, I'm glad we had a partial standing ovation for our man! ;D
I'm going to pop to Enda Walsh platform on 19th if I can too. I'll woffle on about that if I can go.
Leyla I'm so glad you asked me to spare you the company in London, I had a magical time with you! I'm glad you like sushi too and I loved all your stories! Thank you for letting me drag you all the way up the Bakerloo Line so I could have my pint of organic beer! LMAO I hope that one day we will meet again I really do! Another lovely friendship formed by Misterman again! Plus it brought me back to this forum! There's something quite magical about this play I tell thee! ;D
Just a word of caution again about the linguistics... loudly back pedaling on my earlier posts, having heard Misterman again after 9 months, I do think that it's best to read the book if your native language isn't English or used to Celtic dialects. Maybe just read before the ending so as not to spoil it???
If anyone has any questions about the play please ask.